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Dancemaker modern dance, Paul Taylor Dance Company Dancemaker modern dance, Paul Taylor Dance Company
Dancemaker

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DANCEMAKER


SUBJECTS --- Dance; Biography (Paul Taylor);
SOCIAL-EMOTIONAL LEARNING --- Talent;
MORAL-ETHICAL EMPHASIS --- Responsibility.

Age: 12+; Not Rated; Documentary; 1998; 98 minutes; Color.


Dancemaker
This film covers a year in the life of the Paul Taylor Dance Company, featuring: the creation of a new dance; endless rehearsals; funding the company; touring India; and finally opening the company’s New York season.

Dancemaker shows dance as a collaborative art. It highlights the cooperating, yet in some measure opposing, forces which are harnessed to make a dance company: art & money; dancers & choreographers; dancers & management; the limits of the human body & the demands of the art; and passion & practicality. Mr. Taylor, the dancers, and the company manager talk intimately about their lives and their work.

The TeachWithMovies.com Learning Guide to Dancemaker contains background information and discussion questions to help teachers and parents introduce modern dance and the mechanics of mounting a ballet in the late 20th century.



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Dancemaker takes us inside the operations of a modern dance company.

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modern dance, Paul Taylor Dance Company

To give you a sense of how our Learning Guides can be used by teachers as lesson plans and by parents to supplement school curriculum or for homeschooling, we have set out below a paragraph from the Learning Guide to Dancemaker.

Modern dance began as a reaction against the formal strictures of ballet. Its hallmark is experimentation in finding new sources and forms of movement. Modern dance began in Europe early in the 20th century. It soon expanded to become a genre in its own right and by 1930, most new developments in modern dance came from the United States, where there had been no strong tradition of ballet. Many early modern dances were solos, in contrast to the large number of dancers usually put on stage in traditional ballet. The conventional movements of ballet, developed over centuries were rejected and movements which came from the internal emotions of the choreographers, movements used in every day life, or patterns from ethnic dances, were the source of inspiration for modern dance.


The Learning Guide to Dancemaker also contains sections on Benefits of the Movie, Possible Problems, Helpful Background, Discussion Questions, Links to the Internet, and Bridges to Reading. The Discussion Questions are divided into three categories: Subject Matter, Social-Emotional Learning, and Moral-Ethical Emphasis.

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Dancemaker
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