MY FAMILY/MI FAMILIA
SUBJECTS — U.S. 1929 – 1991; Hispanic & California;
SOCIAL-EMOTIONAL LEARNING — Families in Crisis;
MORAL-ETHICAL EMPHASIS — Caring
AGE: 13+; MPAA Rating R for strong language, some graphic violence and a scene of sexuality;
Drama; 1995, 128 minutes; Color. Available from Amazon.com.
This is the story of Jose, Maria, and their children — two generations of an American family of Mexican descent who live in Los Angeles. “This is the great American story, told again and again, of how our families came to this land and tried to make it better for their children.” Rogert Ebert.
SELECTED AWARDS & CAST
Selected Awards: None.
Featured Actors: Edward James Olmos as Paco; Jenny Gago as Maria; Jennifer Lopez as Young Maria Eduardo López Rojas as Jose; Jacob Vargas as Young Jose; León Singer as El Californio; Esai Morales as Chucho; Jimmy Smits as Jimmy; Jonathan Hernandez Jonathan Hernandez as Young Jimmy; Constance Marie as Toni; Lupe Ontiveros as Irene; Maria Canals-Barrera as Young Irene; Enrique Castillo Enrique Castillo … Memo ‘Bill’ Mary Steenburgen Mary Steenburgen … Gloria
Director: Gregory Nava;
BENEFITS OF THE MOVIE
The Mexican Repatriation Program — 1929 – 1936
Note to teachers: Students may disagree with the position taken in the first five paragraphs. If they do, have a discussion about those disagreements.
The United States has operated on the “melting pot” model, in which immigrants and, particularly, the children of immigrants assimilate into mainstream American culture. This began with the 13 colonies and continues to this day. By the second or third generation, families of immigrants abandon the culture of the country of their family’s origin. Limited aspects of the old cultures persist, particularly in music, food, celebration of holidays, and, most importantly, in religion. However, in most cases little else of the old ways survive. The children of immigrants intermarry with the ancestors of other immigrants and fully participate in mainstream American society.
Even in religion, which is perhaps the most persistent hold-over from the old countries, beliefs are affected by American culture. For example, while there is still some debate, same-sex marriage is accepted by most Americans. The U.S. Episcopalian Church, a branch of the world-wide Anglican Communion (formerly the Church of England), is at odds with other Anglican churches in its endorsement of same-sex marriage. In January 2016, the Episcopalian church in America was officially suspended from the Anglican Communion because of this position.
There is also a parallel process in which some aspects of ethnic cultures are adopted by the mainstream. A good example is food. Almost all Americans love spaghetti, pizza, tacos, burritos, Chinese food, etc.
Racism and prejudice against certain ethnic minorities has skewed the process of assimilation, but it still strongly affects these groups. African-Americans were not voluntary immigrants, and their original African cultures were suppressed by the slaveholder. The African heritage of black Americans has been almost completely lost. The main exception is music, some of which survived and has strongly influenced mainstream culture. Some would argue that in the past, a subculture of black Americans existed, due to economic oppression and racial exclusion. But that subculture itself is distinctly and uniquely American; it is certainly not the result of any African heritage. While some discrimination against African-Americans persists, assimilation has reached the point where the culture of black Americans is usually the same as that of other Americans of the same economic class.
Hispanics and immigrants of Asian descent also suffered from discrimination but, as shown in the film My Family/Mi Familia, the children of Hispanic immigrants have largely become assimilated. The same is true of Americans from families that came from Asia. Each of these groups have been subjected to discriminatory practices, for example, during WWII Americans of Japanese descent who lived on the West Coast were sent to internment camps. However, discrimination and the efforts of misguided and prejudiced people to exclude them from American society may delay assimilation, but the process continues.
The most extreme example of discrimination against Hispanic Americans is the “Mexican Repatriation Program,” 1929 – 1936. As the country veered into the Great Depression, U.S. government authorities throughout the United States, and particularly in Texas, California, and Colorado undertook an aggressive program to forcibly remove persons of Mexican ancestry. In California alone, approximately 400,000 American citizens and legal residents of Mexican ancestry were forced to go to Mexico. In total, it is estimated that two million people of Mexican ancestry were forcibly relocated to Mexico. Approximately 60% or 1.2 million had been born in the United States and were thus U.S. citizens. On occasion massive raids were conducted on Mexican-American communities, resulting in the clandestine removal of thousands of people, many of whom were never able to return to the United States. These raids also had the effect of coercing thousands of people to leave the country in the face of threats and acts of violence.
The raids targeted persons of Mexican ancestry, with authorities and others indiscriminately characterizing these persons as “illegal aliens” even when they were United States citizens or permanent legal residents. Authorities in California and other states instituted programs to wrongfully remove persons of Mexican ancestry and secure transportation arrangements with railroads, automobiles, ships, and airlines to effectuate the wholesale removal of people out of the United States to Mexico. As a result of these illegal activities, families were forced to abandon or were defrauded of personal and real property, which often was sold by local authorities as “payment” for the transportation expenses incurred in their removal from the United States to Mexico. As a further result of these illegal activities, United States citizens and legal residents were separated from their families and country and were deprived of their livelihood and United States constitutional rights. The U.S. citizens were deprived of the right to participate in the political process guaranteed to all citizens, thereby resulting in the tragic denial of due process and equal protection of the laws. [Primary Source for the last two paragraphs: California Government Code §§ 8721 & 8722, The Mexican Repatriation Apology Act.]
California State Senator Joe Dunn, interviewed on Remembering California’s ‘Repatriation Program’ by NPR, January 2, 2006, said,
The phrase that the Hoover administration used was “American jobs for real Americans.” Well, if you were born and raised right here in the United States but just happened to be of Mexican descent, in the Hoover administration’s eyes, you were not a, quote, “real American,” But that was the designed purposed of the program, to create jobs due to the rising number of unemployment at that time.
Unfortunately, most of the individuals that were forcibly deported literally were done under armed guard and lock and key. There was a raid in a park in Los Angeles in February of 1931 in which they literally rounded up all the folk in that park who appeared to be of Mexican descent, put them on flatbed trucks under armed guard to Union Station in downtown Los Angeles, on a train that was under lock and key and literally forced them on and–onto the train, and the train took them to the interior of Mexico. Most of the deportations were done by force. . . [M]ost of the deportees in 1930s that were shipped to Mexico did not speak the language. And they were not only thrown out of their country of birth, the United States, they were foreigners in the new land that they were shipped to, that being Mexico.
Almost two million individuals [from throughout the U.S.] were illegally deported to Mexico, and it’s estimated that almost 60 percent or more of those two million were actually United States citizens born right here in the United States.
USING IN THE CLASSROOM
The film needs no introduction. After showing the film, provide students with the information on the Mexican Repatriation, 1929- 1936, set out above. Another way of providing students with this information is to print out The California Apology Act for the 1930s Mexican Repatriation Program, Cal. Government Code §§ 8721 & 8722 and have students read it. Supplement the information in the statute by telling students that states all over the country participated in the program with particularly large deportations in California, Colorado, and Texas. An estimated two million people were deported to Mexico, 60% of them U.S. citizens.
The early scenes of the film contain some Spanish dialogue that is translated with titles on the screen. However, there are well over a hundred instances in which Spanish is spoken and no translation is provided. The writing and direction ensure that these do not detract from the story, but knowing the meaning of these expressions further enriches the film. TWM has provided translations for most of these expressions. See Spanish Expressions in My Family/Mi Familia.
CLICK HERE FOR SPANISH EXPRESSIONS IN MY FAMILY
1. El Pueblo Nuestra Señora Reina de Los Angeles: according to some historians this was an early name for Los Angeles.”
2. Jalisco and Colima: States in Mexico.
3. Andale, can cuidado: Come on with care.
4. Hazle un lugar ahi: Make a place for him there.
5. Niños: children.
6. Tu café con leche está listo:Your coffe with milk is ready.
7. Mi cafecito: My coffee.
8. La Migra: The Immigration and Naturalization Service (now called the U.S. Citizenship and Immigration Service, “USCIS”).
9. Por favor, Señor: Please, mister.
10. Pinche: ***.
11. Pachuco: a male member of a Mexican-American subculture in the 1930s to 1950; pachucos wore zoot suits, had an exuberant nightlife, and engaged in flamboyant public behavior; some were associated with street gangs.
12. hermano, hermana: brother, sister.
13. aboratte*: colloquial for “go away,” “leave,” “disappear yourself.”
14. Cholo: a person who is of mixed Spanish and native American heritage; a half-breed; it is often pejorative.
15. Ese: slang to refering to the person you are talking to; it is often seen as a perjorative reference to a person of Hispanic heritage.
16. Pues nada: well, nothing.
17. Apurate: hurry up (When Irene says this to her sister Toni, she is being sarcastic.)
18. Machismo: male chauvinism.
19. Brindis: a toast;
20. Felicidades: congratulations;
21. Ella es la mama: She is the mother.
22. No te hagas rogar: You don’t have to beg.
23. Salud: To your health.
24. Salud a todos: To everyone’s health.
25. Mariachi: a form of folk music from Mexico.
26. Los apostoles: The Apostles.
27. Puta, puto: prostitute; when referring to a man it is a general insult.
28. Que Pasa: What’s going on?
29. Vato: Dude.
30. Carnal, carnala: buddy, relative.
31. Que te metas para adentro: What did I say about staying inside?
32. Milpa: cornfield.
33. Chavalito: little boy.
34. Jefe: boss, leader, chief, commander; in a family, Father; Jefecita is Mother.
35. Mota: slang for marijuana.
36. No es tiempo para esto: This is not the time for this.
37. Sinverguenzas delincuentes:criminals
38. Pero tu . . . . : But you . . . .
39. No tienes consciensia: You have no conscience.
40. No tienes dignidad: You have no dignity.
41. A la chingada con eso!: F..k that!
42. No hagas esto, mijo: Don’t do this, son.
43. No hagas esto: Don’t do this.
44. Largate: Get out of here.
45. Que estas haciendo: What are you doing?
46. Mijo: Son.
47. Chinga tu madre.: F__k you.
48. Y mi jefita, como está?: How is mother doing?
49. Y mi jefe, qué dice?: And Dad, what does he say?
50. Nada: nothing.
51. Vete: Get out of here.
52. Hasta Mañana: Until tomorrow.
53. Apurate: Hurry up.
54. Mira: Look at.
55. Con permisso: Excuse me.
56. Vas a ver:You’ll see.
57. Quadese ahi: Stay there.
58. Está muerto: He is dead.
59. La pinta*: slang for prison.
60. Hola: Hello or Hey there.
61. Callate: Be quiet, Shut up.
62. Hijo de: Son of . . . .
63. Un Sacerdote: a priest.
64. mi vida: my life, my darling
65. Mucho gusto: nice to meet you.
66. Mi querido: my darling
67. Y (as in “Y Paco”: and.
68. Abogado: lawyer.
69. Hombre: lman.
70. Mujer: woman.
71. Hombre y mujer, ¿sabes?: Man and woman, understand?
72. Pero: but.
73. Este pastel esta muy bueno: This cake is very good.
74. Baboso: lovestruck, drooling, fawning.
75. Ruca: Old maid.
76. Pendejo: jerk, coward.
77. Cabrona: bitch.
78. Es la pura verdad: It is the pure truth.
79. Vos tenes que ayudarme: You have to help me.
80. Me acabo de casar y no se adonde voy a ir: I just got married and I don’t know what I’m going to do.
81. ¿Vos sabes dodne está Jimmy?: Do you know where Jimmy is?
82. No puede creer esto: I can’t believe this.
83. Ya lo llame: I’m going to call him now.
84. ¿Que Voy a hacer?: What am I going to do?
85. Oye: Hey.
86. Ven acá, hijo: Come here, son.
87. Explícame qué pasa aqui: Explain to me what’s going on here.
88. Chingao: f__cked up.
89. Ay, Dios: Oh, God.
90.Porqueria politica: political crap.
91. Sagradas: sacred.
92. Y tu te callas: And you shut up.
93. Te fregaste: You messed up.
94. No quiero: I don’t want.
95. Vato loco: Crazy dude.
96. Canton: lang for a house in the barrio.
97. Viva la Raza: Long live the mestizo race.
98. Entonces qué: Then what.
99. ¿Eres mi hombre?: Are you my man?
100. ¿Si o no?: Yes or no?
101. Te regalo una rosa: I give you a rose.
102. Si, vamos: Yes, let’s go.
103. No se si esta desnuda: I dont know if it’s naked.
104. O tiene un solo vestido: or just one dress — this line and line # * are from the album “Bachata Rosa” by Juan Luis Guerra.
105. ¿Que dolor, no?: It was painful, wasn’t it?
106. Grandissima ciudad: Big city.
107. Los soldados: the soldiers.
108. Ay, imuchacho travieso, sinverguenza: mischevious scoundrel — can’t find a meaning for “imuchacho.”
109. Ven aqui: come here.
110. Te voy a pegar Mocoso: You brat. I’m going to spank you.
111. Mocoso, ya veras: Sntty nosed squirt, you will see.
112. Muchacho malcriado, ahora veras: spoiled boy, now you will see.
113. ¿Que pasa aqui, senora?: What’s going on here, Senora?
114. Pero ese nino es un desgraca: But, that child is a disgrace.
115. Abuelita, Abuelito: grandmother, grandfather.
116. te voy a comer vivo, vas a ver: I’m going to eat you alive, you’ll see.
117. Mucha hierba: a lot of grass.
118. Es que no puede, jefe: This can’t be done, Dad.
119. ¿Si, mi Chapulin?: What is it my grasshopper?
120. Hola, mi amor. ¿Ququé haces?: Hello, my love, what are you making? or Hello, my love, what are you doing?
121. Calma: calm down.
122. Escucha a Mami: Listen to mother.
123. Lo siento, mijo: I’m sorry, son.
124. Salud: Cheers.
125. Qué pasa: What’s up?
126. Tu café con leche está listo:Your coffe with milk is ready.
127. Vamos hombre. Andale: Go man, hurry.
128. Andae: Come on.
129. Mi familia: My family.
After showing the film and introducing the information in the Helpful Background section, engage the class in a discussion about the movie. The first seven questions relate to assimilation of immigrants into U.S. culture.
1. What is the best balance in determining how to deal with ethnic and religious differences in a society?
Here’s the Golden Rule that has made the U.S. a great nation: celebrate each ethnicity as a unique and beautiful expression of humanity, but cultural identity must be expressed an inclusive way, and any activities that are antithetical to the basic values of the society are abandoned. There are many examples of this. The early Mormons practiced polygamy, but the society required that this practice be abandoned. In Scotland, society was organized by clans, which were basically tribes of related people. There were the Elliotts, the Douglases, the Armstrongs, the MaGregors, etc. In the U.S. people who trace their lineage to Scottland have “gatherings” where they eat, drink, and listen to Bagpipe bands. At some there are competitions of old Scottish sports. Each clan has a tent with information about the clan. For several years in many gatherings in California, one of the hosts at the Elliott Clan tent was a Japanese-American who had no connection with Scottland other than the fact that he had fallen in love with the Elliott clan. He was fully accepted by the people who traced their heritage to the Elliott clan. That is American ethnicity at its best. Contrast this to the Middle East in which the Shiites and Sunnis kill each other, the “Troubles” or Northern Ireland, or Rwanda in which the Hutus murdered almost a million Tutsis in the 1994 genocide. And, of course, there is the Holocaust, the attempted extinction of European Jews by the Nazis. There are, unfortunately, many examples of societies in which religious and ethnic tensions have led to chaos and death.
2. Each of the children of Maria and Jose assimilated into the American “melting pot” and adopted the values of American society to a different extent. Describe the assimilation of each.
Memo fully assimilated. He became a lawyer, moved across the bridges to the West side of Los Angeles, and married a non-Hispanic American girl. For Memo, his Mexican heritage was almost an embarrassment. Chucho, like modern-day gang members, got stuck in a nether world in which he rejected the culture of his father in which hard work was a sign of dignity. His world was that of the “pachuco” which rejected much of mainstream American values, but adopted others. Irene is more assimilated, starting a Mexican restaurant with her husband. She is fully integrated into the American economic system, but she is also tied strongly to her parents’ Mexican culture. Toni started out fully in line with the Mexican culture by becoming a nun. While some mainstream American Catholics also became nuns, by the time Toni leaves the Church and marries a non-Mexican, she is fully assimilated. Paco, too assimilates. He joins the Navy and becomes a writer, in English, not in Spanish. Jimmy also seems to assimilate very well, but his story is focused on how he deals with his own psychological wounds resulting from the death of Chucho and his wife.
3. What is the significance of the fact that after Chucho is kicked out of the house, he and his friends (and his enemies) are next shown dancing to non-Hispanic popular music. Include in your response a reason why the filmmakers showed the audience the murals on the walls of the dance hall?
The location is a building that honors the Hispanic heritage of the community, but the music is mainstream popular American music. This shows the distance between Chucho and his friends – and enemies – from their Hispanic roots, and also their ties to their community of people of Mexican origin.
4. There are two instances of very popular television programs shown in the movie. What are the filmmakers trying to tell us with these scenes?
“I Love Lucy” was a popular show. Most people in the U.S. loved it and watched it every week. People still watch re-runs of the old programs. “I Love Lucy” was an agent of assimilation in that it was an experience that most Americans of all ethnic backgrounds shared. The values that the program embraced (and all media has a value set) were likely to be shared by all of its viewers. Also, Lucy was mainstream white, while her husband was Hispanic. In another scene, Maria is watching a telenovela in Spanish. While Maria and Jose have integrated into American economic life and assimilated many American values, they have also retained much of their Mexican culture. This is shown by Maria’s interest in the telenovela.
5. Identify the cultural values that are evidence of assimilation into American culture? These values are not necessarily antithetical to the values of the cultures from which the emigrants come. For example, the dignity of work is a traditional value of the culture which most Mexican and Central American immigrants bring when they come to the U.S. It is also a classic American value. (Unfortunately, some Americans have lost this value.)
There is no one correct answer to this question. While there are many aspects of different cultures that give variety to life that can be retained, such as different ways of celebrating holidays, family customs, language spoken in the home, food, etc. there are certain core values of the majority culture. TWM has identified the following, there are probably more. Not all Americans agree to these values, but most do:
- the belief that all people “are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness;”
- the belief in the importance of due process of law and adherence to the rule of law;
- tolerance of and equal treatment for people despite differences in race, religion, national origin, gender, and, most recently, sexual orientation;
- the majority rules but cannot transgress upon the rights of individuals or minorities set out in the Bill of Rights;
- a respect for freedom of speech and of association;
- that people who work hard and play by the rules should be rewarded; and
- admiration for the entrepreneurial spirit;
- respect for innovation and a high tolerance for change.
The basic values of U.S. Culture change over time. For example, tolerance and equal treatment for LBGT people is relatively new in the last twenty years, and it is not accepted by many Americans. [It would be a good exercise for the class to list those values which are core American values and those which are not.]
6. Do you have to be “assimilated” to be an American Citizen? What must naturalized American citizens agree to do?
The answer to the first question is, “No.” The answer to the second is contained in the oath that those seeking to be naturalized citizens must take:
I hereby declare, on oath, that I absolutely and entirely renounce and abjure all allegiance and fidelity to any foreign prince, potentate, state, or sovereignty, of whom or which I have heretofore been a subject or citizen; that I will support and defend the Constitution and laws of the United States of America against all enemies, foreign and domestic; that I will bear true faith and allegiance to the same; that I will bear arms on behalf of the United States when required by the law; that I will perform noncombatant service in the Armed Forces of the United States when required by the law; that I will perform work of national importance under civilian direction when required by the law; and that I take this obligation freely, without any mental reservation or purpose of evasion; so help me God.
[An interesting follow-up question is to ask students if there is any part of the oath they would not be willing to agree to and, if so, why?]
7. What should be the goals of U.S. immigration policy? These goals are not always consistent, and compromises may have to be made between competing values.
There are several, and there is no one correct response to this question. Here are a few suggestions. First, there is the goal of attracting to the U.S. those workers who are skilled and who are motivated to work hard; in other words, those who will contribute to the economy. Second, there are the humanitarian goals of allowing people who are suffering from political persecution or who are at risk of being victims of extreme violence to come to a safe place to live. Another humanitarian goal is to unite families by allowing citizens and legal residents to bring family members to the U.S. A third goal is to limit the number of immigrants so that they can be absorbed without changing the nature of U.S. society. A fourth goal is to keep out terrorists and those who would threaten our security.
8. Jose and Maria endured many difficulties and tragedies. Do you agree with their sentiments at the end of the film that they have had a good life? [Another way to ask this question is “Would it have been wrong for Jose and Maria to expect more from life, such as better outcomes for some of their children?”
There is no one correct answer. Strong answers will note the separation from Chucho and his death as well as the problems Jimmy had and the fact that Toni left her order (which must have caused Maria much anguish). However, Memo was doing well as was Irene. Toni had a new interesting life, and Jimmy had a purpose in life. They had grandchildren from Irene and Jimmy. They had a good marriage. Also, they had a home, food, and a good standard of living, which Jose would not have had if he had stayed in Mexico.
9. It has been said that stereotypes are not an error of perception but rather a form of social control. Describe the mechanism of stereotypes as a form of social control
TWM doesn’t know the entire answer to this question, but the following is a good beginning that will get students thinking. 1) People who believe in the stereotype will expect the persons stereotyped to act in a certain way and will react to them as if they act in that way. 2) People have a tendency to mold their perceptions to fit their current beliefs.
ASSIGNMENTS, PROJECTS & ACTIVITIES
Any of the discussion questions can serve as a writing prompt. Additional assignments include:
1. Students can be asked to research and write an essay on one of the following topics:
- The Repatriation of persons of Mexican Descent in during the Great Depression;
- The differences between immigrants “integrating” into the economic life of a country but retaining their ethnic identity and
- The different goals of immigration policy in the U.S. and another country that you select. [U.S. emigration policy has been assimilationist, fostering the “melting pot” in which immigrants adapt to the majority and adopt the U.S. way of life, leaving the culture of the old country behind. Other countries encourage immigrants to preserve their ethnic affiliations while integrating into the economic life of the country.]
2. Students can be also be asked to write about assimilation and the retention of the ethnicity of the countries of origin in their own families.
BRIDGES TO READING
- The House on Mango Street;
- A Tree Grows in Brooklyn (Modern Classics) by Betty Smith (Irish-American immigration experience);
- The Joy Luck Club: A Novel by Amy Tan (Asian-American immigration experience); and
- The Immigrant Experience Through Literature for Young Adults from the New York Public Library.
LINKS TO THE INTERNET
- Interview of Director/Writer Gregory Nava by Bill Moyers on PBS NOW 2/15/02;
- My Family/Mi Familia Script – Dialogue Transcript from Drew’s Script-o-rama;
- Latinos and Otherness: The Films of Gregory Nava by Josef Raab;
- Latino American Cinema: An Encyclopedia of Movies, Stars, Concepts, and Trends By Scott L. Baugh, Article on “My Family” at pp. 172 & 173;
- Ebert’s review
- City of Angels’ First Name Still Bedevils Historians by Bob Pool, LA Times, March 26, 2005;
- list of songs in My Family/Mi Familia;
- My Family Script – Dialogue Transcript from Drew’s Script-o-Rama;
- Wikipedia Article on the Mexican Repatriation;
- Culture war: When ‘assimilation’ became ‘integration’ Exclusive: Tom Tancredo 3/15/2013;
- Opinion: Integration Doesn’t Mean Assimilation by Peter Philipp in Deutsche Welle 2/14/2008;
- Assimilation Models, Old and New: Explaining a Long-Term Process by Susan K. Brown, Frank D. Bean, Immigration Policy Institute – 10/1/2006;
- Anglican Communion Suspends U.S. Episcopal Church Over Same-Sex Marriage by Alex Johnson, NBC News,6/14/16.
CCSS ANCHOR STANDARDS
Multimedia: Anchor Standard #7 for Reading (for both ELA classes and for History/Social Studies, Science, and Technical Classes). (The three Anchor Standards read: “Integrate and evaluate content presented in diverse media, including visually and quantitatively as well as in words.”) CCSS pp. 35 & 60. See also Anchor Standard # 2 for ELA Speaking and Listening, CCSS pg. 48.
Reading: Anchor Standards #s 1, 2, 7 and 8 for Reading and related standards (for both ELA classes and for History/Social Studies, Science, and Technical Classes). CCSS pp. 35 & 60.
Writing: Anchor Standards #s 1 – 5 and 7- 10 for Writing and related standards (for both ELA classes and for History/Social Studies, Science, and Technical Classes). CCSS pp. 41 & 63.
Speaking and Listening: Anchor Standards #s 1 – 3 (for ELA classes). CCSS pg. 48.
Not all assignments reach all Anchor Standards. Teachers are encouraged to review the specific standards to make sure that over the term all standards are met.
In addition to websites which may be linked in the Guide and selected film reviews listed on the Movie Review Query Engine.